Duane Hason.

Duane Hanson: Proving That Society Reflects Art, Just As Art Reflects Society Duane Hanson, super-realist statue maker, has for years amaze America with his st trickling, lifelike images. Hanson, a native of Alexandria, Minnesota, was born(p) January 17, 1925. At a young age he fastened onto art by crayons, scissors and the single art disk his topical anesthetic library held. After going through four unalike art schools, two marriages and several teaching method jobs, Hanson decided he wanted to move to New York and sift to make a name for himself. Hanson has not always k nown the success that now supports himself, his wife and two children. It was not until 1969 that Hanson held his remainder one-man maneuver in New York City. It was there that Hanson displayed his human-clone sculptures and was told by dealer Ivan Karp that he would be famous but not rich. Hanson sold his first sculpture there for $1,200. Today his humanss transmit for more than $35,000 and argon e xhibited in museums and galleries throughout the world. It was not untarnished luck that brought Hanson to the fame he knows today. Throughout his career, Hanson switched themes several times in his sculpture to ceaselessly provoke his audiences and provide commentary on social issues. In general, there have been three major phases in his career. The solve of this paper is to discuss these themes through their pitch in panache and emphasis, the statements they make about society, and the meaning they communicate. In 1967, prompted by the influence of sculptor George Segal and the controversial abortion issue, Duane Hanson make his first polyester resin and fibreglass sculpture titled abortion. Abortion depicts the body of an adolescent young-bearing(prenominal) lying on an operating table, having died from an sinful abortion attempt. This piece was Hansons way of communicating to his... If you want to brook a extensive essay, order it on our website: OrderCustomPaper.com

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