Critical Analysis of Kubla Khan by S.T. Coleridge Essay

In the metrical composition Kubla khan by Samuel Coleridge, linguistic communication is apply to convey images from Coleridges imagination. This is done with the use of language, imaging, structure, use of contrasts, rhythm and fleshy dev methamphetamines such as totallyiteration and assonance.By conveying his imagination by using language, the wording used by Coleridge is of great importance. The five lines of the verse Kubla khan sound like a chant or in mountaintation, and function suggest mystery and supernatural themes of the verse. Another historic theme of the poesy is that of good versus evil. The vocabulary used throughout the meter helps convey these themes in images to the ref. In the first cardinal lines, Coleridge describes the enjoyment dome in Xanadu. In Xanadu did Kubla Khan a invokely pleasure dome decree Kubla Khan did not merely order, hardly decree that a stately pleasure dome be reinforced. This dome is evidence of how unnatural the aim of Xanadu is, it has a ruler who ignores the unpleasantness that puke be found in life.The use of vocabulary challenges and teases the imagination into seeing what he, Coleridge saw in his ambition. In Xanadu, there atomic number 18 not small streams, but sinuous rills and wall and towers do not enclose the gardens but ar girdled round. Coleridges use of language and vocabulary helps to convey the extremity of his imagination.Read Also What is a detailed Analysis EssayIn the poem Kubla Khan, imagery is to a fault important for Coleridge to convey his imagination to the reader. There atomic number 18 images of paradise throughout the poem that ar combined with references to Acheronticer, more evil places. On example of this is the goliath lover that has bewitched the woman. Coleridges image of the dome of pleasure is mystical, contradicting the restrictions of realism. Xanadu is also a savage and ancient place where perfect(a) good and pure evil are much more apparent tha n in the sameness of everyday living. By using images, Coleridge conveys the extent of his imagination to readers.The structure of Kubla Khan is really in two p artifices. The first, which contains three stanzas, describes Xanadu as if Coleridge is actually there, experiencing the place first hand. The help part of the poem is fill with longing to be in Xanadu, but Coleridge is unable to capture the experience again.The first stanza has a definite rhythm and beat and describes the beauty and devotedness of Xanadu with rich, sensual and exotic images. The second stanza depicts the savage and untamed violence of life outside of the pleasure dome. The trouble oneself and primitive cycles of nature are mixed with images of evil and the threat of struggle is also introduced in the second stanza. In the third stanza, the life forces are entwined together to prove that beauty and danger cannot be separated from individually other, despite what the ruler Kubla Khan wants. Kubla Kh an is a self-portrayal by Coleridge who believes that it is he who controls the land of Xanadu. A prosperous pleasure dome with caves of ice.The dome itself is a contrast with sun and ice, the sun symbolising all things good and the ice symbolising death and destruction.There is a definite change of flavour between the third and fourth stanzas. The fourth stanza no longer describes Xanadu, but Coleridges desire for control over his imagination, to be able to re-conjure the feelings and ideas of Xanadu. The two parts may initially seem unconnected, but the ideas in both(prenominal) parts of the poem link these sections together by showing that tear down the ruler cannot have control over the forces of nature, and the writer over his imagination. some(prenominal) parts of the poem deal with the attempt to create Kubla Khan has built a pleasure dome and Coleridge is trying to use language to act the perfection of his dream with words. The poem is conveyed to the reader with the us e of language and the structuring of the poem plays an important part in this.In the poem Kubla Khan, Coleridge uses contrasts in the images he presents to his audience. Xanadu is idyllic, but also savage. This savage place refers to the creative state of mind, or even the sub-conscious state, which helps the writer become inspired. Coleridge mentions that it is a beatified and  please spot where everything seems to fall into place for the author. However, in this poem, the inspiration hasnt quite a hit Coleridge yet, that is until the images of the moon and the women come into his mind. Soon aft(prenominal) they are mentioned, a mighty fountain emerges and Coleridges imagination process seems to have been triggered. These images in the second stanza speak high volumes in the creative process.By comely panning his own made-up land, Coleridge had a vision of something that automatically set sullen his mind to help it write that much easier. Now the imagination can flow endle ssly to wherever the writer wants to go. And it is now clear that art is made up of some(prenominal) fragments that are expressed easier by having legion(predicate) visions described through out the poem. Coleridge uses images such as a go down moon was haunted by a woman wailing for her the Tempter loverThis image of a woman bound to evil brings the dark side of the supposed utopia to light. The peace and serenity is contrasted by the violent rowdyism of the river and the threat of war. The use of language in the contrasting images helps convey to the reader the extent of Coleridges imagination.There are images of two women in the poem and they are a direct contrast to each other, one representing evil, and the Abyssinian maid exotic and beautiful. Yet the poem is a good example of appearances creation deceptive. The pleasure dome may be beautiful with its bright sunny gardens and blossoming incense trees, but it is an enthral eye of the storm. The garden is surround by sa vage destruction caused by the ceaseless turmoil hum. Xanadu is not ruled by what Coleridge wants, but by the raw, ancient corners of his mind, which are continuously struggling in their search for utopia. The ideal paradise is menace by the darkness and disorder caused by the river Alpha. All these images are examples of the extent that Coleridge conveys his imagination to the reader.Coleridge was a deeply religious man and the poem is filled with references to god and related ideas. Xanadu symbolises the fabled Garden of Eden, it is lovely and innocent, surrounded by evil and the constant threat of destruction. Ancestral voices prophesying war could be likened to beau ideals warning to go near the tree, as Eve pelt for the snakes treacherous charm.Through out this first stanza, Coleridge uses several apparent biblical references in Alph, gardens, tree, and even river. The word Alph refers to Alpha, or the beginning. The garden can be related to the Garden of Eden, and the t ree could be the apple tree from Genesis, the first book of the Bible. He writes about a sacred river which could also be tied to several stories throughout the Bible including various(a) events with water. The accredited reasons he used these words might go unknown, still I believe Coleridge included them in his work to enhance the implication of using ones imagination. For example, by noting that these words have to do with the creation of man, one could assume that this poems paradise is in fact a more important place than it really is. He is adding his own occasion by making it whatever he wants, and he does it very cleverly with his own imagination and common Bible knowledge.By describing these caverns shaped like domes with plenty of greenery to brighten up on ones day, Coleridge sort of scans the area and gives us his train of thought.Coleridge describes the river as sacred on numerous occasions throughout the poem, and to Xanadu as holy and enchanted. This is yet anoth er contrast, how can something holy be enchanted at the same time? Coleridge talks too of miracles but mingled with the holiness, Coleridge refers to brilliance with his choice of language to depict what is outside the pleasure dome. The demons described are closely related to witchcraft and the closing lines of Kubla Khan describe cultural rituals that attempt to protect not only the reader, but also Coleridge himself from the forces of evil and the extent of his imagination.Coleridge, having drunk the milk of paradise desired and sought after the beautiful image of Xanadu and Utopia and his final stanza is his way to describe to the reader how in earnest he wants to go back there. By using his wide vocabulary to depict images and contrasts with the help of some literary techniques such as imagery and contrasts, Coleridge easily conveysto the reader the extent of his imagination.Even though this dome is Coleridges dreaming interpretation of paradise, the poem is visionary as it taps into the power of creativity and imagination. The fact that this poem was inspired by a drug-induced dream is one thing, but the dream aspect is more important. Coleridge is relentless in his attempt to recreate his hallucination in order to produce his arrive at of art for others to enjoy. If you actually think about living in the orb today without imagination or art, one would have to be a machine due to not be affected by all of the depressing events that go on in the world. This poem goes to show that true artists crave for readers to open up their minds a teeny more, even if its for only a couple of minutes. Coleridge also proves that by adding a little imagination, you are not only able to recreate anything, but you can fine tune things to however you want them.